Journey to the stars and worlds of imagination

Stelae (plural of stele or stela) are upright, vertical stone slabs or pillars, often carved with inscriptions or reliefs. Primarily used in the ancient world, these monuments served as tomb markers, boundary markers, or to commemorate rulers and historical events.

The excerpt from Hatchlings Curse captures the finding of stelae in a lost valley.

Three wingstrokes took Anastasia through the concealing mist, revealing a verdant valley. A wide lake glittered at the far end of the expanse. Her gaze rose from the row of stone buildings filling the ridgeline to stop at a distant peak. There, towering over the valley and the other buildings, stood a massive structure built of stepped levels of black rock. A sense of violating sacred ground warred with the siren call.
The flat top provided a perfect site to land. Yet Anastasia refused the temptation and glided down to just beyond a ring of panels made of the same material as what she could only call a temple. She hastened the shift to her own form. Her unearthly beacon vanished as quickly as it had appeared.
Two quick steps took her to the closest stone. Symbols in an ancient language covered the slab as tall as five men. Using her studies under the ceoltiers and in the archives at Cloud Eyrie, she translated the meanings. Her understanding grew the longer she studied the glyphs. One showed a female dragon swallowing a large fish.
Anastasia followed the chiseled marks to the back side of the panel. The entire surface was taken up with the aerial acrobatics of a mating flight. Her pulse raced. Maybe she was right that something was missing in the dragon’s life in the mountains. Nowhere in any of the archives of the dragshi or the stories of the true dragons was there a single reference to what she saw. And, instead of a single pair of dragons, five males pursued one. Unbidden, she reached out and touched the black rock. A sensation of agelessness rocked her—the feeling of the ancient ones—the true dragons. She stood transfixed until she could no longer ignore the increasing calls in her head. Several minds pushed at hers. Unconsciously, she reached out for the most familiar one.

~till next time Helen

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2026 marks the year of the fire horse. The element Fire amplifies the Horse’s natural traits of energy and passion. Characteristics of the magical equines of the books I write. From Dragon Destiny an excerpt illustrating energy and passion using " riot" as the "r" in the atoz challenge.

The shouts of frightened men and the high-pitched squeals of terrified animals competed with the thunder. A discordant twang pulled Branin’s gaze upward to the hayloft where a white-faced servant wrung the jarring notes from a bagpipe. The young man tried to play the slow lullaby that usually calmed the horses during the winter storms. However, his hands shook so badly neither chord nor tune emerged true.
A pair of brown horses at the double doors caught Branin’s attention. Neighing wildly, the two young colts reared in unison. Their front hooves smashed down, chipping away the bar that held the doors closed. If they reached the outside, the storm would blind and disorient them until the frightened creatures ran off the cliff.

“Enough of this,” Branin snarled. “Forget the lullaby,” he called to the musician. “Play the Seidheirn Battle Hymn.” Suiting actions to words, he drew his sword, snatched up a metal bucket, and pounded out the beat. His voice, pitched to be heard above the din, rang out with the ancient call to war.
“Shoulder to shoulder, we charge onto the foe.
Fighting we battle on, to the next world we go.
Seidheirn, seidheirn, sound the battle roar,
Honor the fallen, and mourn no more.

Answer the battle cry with honor,
Until victory is born.
Our spirit can never be broken,
Even when the final requiem is spoken.”

One by one, other voices joined in. Then a second and a third makeshift drum added to the cadence. No longer needed to keep the tune moving, Branin sheathed his sword and tossed the bucket aside. He walked among the grooms, squeezing a shoulder here, a clap on the back there. “Keep singing,” he encouraged. “Louder... louder.” With each verse, the effect of the hymn grew stronger while the infectious rhythm kept even the worst of the singers in a semblance of harmony. Seidheirn began to stomp their hooves, sending up clouds of dust.

Branin’s pulse raced and leapt with the words of the stirring battle cry. Letting his voice die away, he listened with his dragon senses. The singing drowned out the thunder. This isn’t possible. A double handful of men can’t make this much noise. It quickly became obvious the song resounded not just from the grooms in that section of the barn, but also from the other three wings of the x-shaped stable. Liam must have heard what I was doing and had the others try the tactic too. A reinforcing energy flickered at the edge of his mind. He realized Eirwen utilized the song to forward strength from everyone in the main building to support those trying to subdue the crazed animals.

For the first time since he entered the stable, Branin felt the emotional state shift. Several of the horses stopped rearing and allowed the grooms to slip ropes over their lowered heads. Now that the humans had regained control of their fear, Branin put the next part of his plan into action. He watched Marsainn block a dappled mare’s wild dash from a stall. The stallion snapped at the horse, forcing her back. “Mar, get over here,” Branin yelled.

In response, the black seidheirn trumpeted an obvious command. A younger version took a protective stance in front of the mare, who now quivered in the corner. Freed of guard duty, the larger animal wove his way through the press of horses in the aisle.

“You know what to do, Mar,” Branin directed. “The horses are primed. We just need to key them into their training.”

The stallion tossed his head in agreement. He nipped one of the browns attacking the door, then the other. They stopped their frantic rearing at Marsainn’s neigh. One snorted and started to rear again, but dropped back to all fours when Marsainn clamped his teeth around the rebel’s neck. When the smaller horse whinnied in submission, Marsainn released his prisoner and galloped over to Branin.

Branin leaped onto Marsainn’s back. “Column of twos,” he ordered in a voice that cut through the bedlam. With an exuberant bugle, Marsainn spun on his haunches. He pranced in place before heading down the aisle in a high-stepping march. His hooves struck the ground in time with the human chorus.

Instead of resuming their breaching of the doors, the two browns reacted to the repeated command of “form up” and moved into position at Marsainn’s heels. A pair of young black horses joined the ranks. When Marsainn strutted past each stall, except for mares and their foals, the true horses and seidheirn trotted out and added to the line. Any of the horses in the main aisle backed into a stall at the line’s advance or joined the impromptu parade. If they did not move fast enough, they were helped along by a quick nip or a nudge from Marsainn or one of his sons. All the stallions and geldings reacted to Branin’s repeated calls of “column of twos” and “parade march.” Their combat training took over, and the animals, although they bore neither rider nor saddle, turned into the line.

The men’s singing became ragged, yet they forced stressed vocal chords to continue the chant. On the next verse, all the seidheirn trumpeted. Before the line completed another circuit of the barn, every horse and seidheirn either marched in the procession or pranced in place. One by one, the men’s voices fell away when a servant or groom stopped singing to talk quietly to the trembling animals near them. Soon, only the drone of bagpipes from the hayloft could be heard above the thunder and the rain beating on the roof. Branin started to order a change in the music just as the piper turned the final note of the seidheirn challenge into a ballad with a strong beat. The musician slowed the melody with each verse until it became almost like a lullaby.

Marsainn shifted to a walk that kept the earth-pounding rhythm, but covered less ground.

Now when they passed a stall, Branin called out “rear guard, break.” Marsainn snorted, reinforcing the command. Branin half-turned to see the result of his order. Two horses at the back of the column separated. One trotted left, the other walked to the right. Waiting men stroked the horses’ necks, and slipped ropes over the animals’ heads as they filed into their stalls. Again and again, the scene repeated until only Marsainn, the two brown horses who had tried to destroy the stable door, and two large black seidheirn stallions high-stepped the length of the stable. Foam covered all five animals.

“Column, halt. Dismissed,” Branin called in a final command. He waited while grooms led the now-compliant animals to stalls. “Just a few minutes more,” he told the trembling Marsainn. Sliding down to the floor, he snatched a scrap of rag to rub down the sweat-drenched mount. The familiar action helped Branin release some of the stress of controlling the emotions of so many men and animals. “You did well, Marsainn,” Branin murmured. “You served your kin well this day, old friend.”

The black stallion nickered and tossed his mane as if to say, I know.